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x0401x · 8 years ago

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GOUACHE Members interview

Jin’s solo interview || Sidu’s interview || Original (full translation under the cut)

“Kagerou Daze -in a day’s-” is a bodily sensation-type 4D short movie, which was released in the second theater system of the national-wide TOHO Cinemas on November 4th in MX4D™. The movie’s opening theme song, “RED”, made by the creator of “Kagerou Project”, Jin-san – who is not only its lyricist and composer, but also the light novel and manga script’s writer –, together with his new-formed band (GOUACHE), received great repercussion in the entire Mora site immediately after its publishing. Other than that, Jin-san has his other band and works as support musician as well, and has been much talked about for recruiting such experienced members.

In this interview, to celebrate the movie’s presentation to the public and the huge popularity of “RED”, we have successfully gathered comments from the GOUACHE members! These news will consist of each member’s official talks about the band and its songs, from the thoughts they’ve put into the compositions to the possible future developments. It’s a must-read for the fans as it’s packed with detailed answers! Please enjoy it without skipping any words or sentences!

GOUACHE Members

MARiA (Vocals) Born on 1/31/1992 in Ibaraki Prefecture. Had her major debut in 2014 and works as GARNiDELiA’s vocalist. Is an artwork producer, in charge of songwriting, and also dances during live performaces. Is a model for several fashion brands as well, and has been earning the support of young women from her generation.

Jin (Guitar/Vocals) Born on 10/20/1990 in Hokkaidou’s Rishiri Island. Is a music composer, light novel writer and scenario writer. Specializes in creating untramelled works that do not get caught up in stereotyped concepts.

Gushimiyagi Hideyuki (Guitar/Vocals) Born on 1/31/1990 in Okinawa Prefecture. Started working as a guitarist, then created his own band, Creature Falls Umbrella, in 2014, and became its vocal-guitarist and composer as well.

Shirakami Mashirou (Bass/Vocals) Born on 5/5/1988 in Okayama Prefecture. Besides being solo artist and singer, he’s also a bassist, composer, arranger and recording engineer, working as a producer of anything related to music.

Ibuki Fumihiro (Drums/Choir) Born on 8/27/1990 in Hokkaidou’s Ohibiro town. Is a Jazz drums course graduate from Senzoku Gakuen Music College. Is the leader of the band O.P.P.A.I. and works as support artist for many other bands. Actively takes part in numberous national and international performances, no matter their genre.

GOUACHE’s official Twitter account: GOUACHE_JP (T/N: Please follow them, guys. They don’t have even 3k followers yet. The account is bilingual, so you can get information from it even if you don’t speak Japanese. Their English is a little awkward but it’s easy to understand. Also, they’re considering releasing their songs overseas, so the more non-Japanese followers they get, the greater the chances of that happening.)

Q&A

──I believe that while “RED”, the opening theme of “Kagerou Daze -in a day’s-”, is about “a sight that adults can’t understand and only reflects in the eyes of children”, it also deals with more universal themes. Were there any feelings you had wanted to deliver to people other than the current “KagePro” fans?

Jin: I was the one in charge of the lyrics of “RED”, and just as you said, it’s a piece aiming to deliver a worldview that reverberates within the “child-like heart” of the biggest amount of people possible. A “child-like heart” is what I personally consider one of my most valuable themes, so since I was using it, as expected, I ended up needing quite some time for the composition.

To express the scenery of a bygone summer’s day through words is a very specific task, and for that, I received advice mostly from the member Mashiro-san, and thus it became the way it is. That’s why these lyrics that are about a sight I saw in the past have, of course, been sprinkled with memories from a summer that Mashiro-san himself has lived. I think that lyrics like these being born is also something that reflects the band’s taste, so I’d wish everyone enjoyed this part of them too.

The majority of the GOUACHE members write songs, so I believe we will be releasing compositions from several polished viewpoints from now on. Please look forward to it.

──I was wondering if the song “RED” wouldn’t be the equivalent to a business card for the band GOUACHE. Are the things GOUACHE wants to convey contained in this song? I’d also like to ask what the theme of GOUACHE and what the message you actually want to deliver are.

Gushimiyagi: “RED” was the opening theme of the “KagePro” movie, so Jin was the one to take the lead in the making of the composition. But rather than a business card, it wound up as a work with the concept of what would happen if GOUACHE made a piece that leans towards “KagePro”. Therefore, I think the interpretation that the song “RED” is a piece that equals to a business card for GOUACHE just because it's our starting song would have only been valid if we were to make it through our upcoming activities. I’d be happy if people could feel GOUACHE’s theme and the things we want to transmit through the works that will be born from them.

──“RED” also had a simultaneous release with a high resolution sound generator version. Any concerns regarding the HighRes? Is there any piece that you want to listen to in HighRes or that you already listened to in HighRes and thought “this is amazing”?

(T/N: A sound generator is a device that generates sound waves by reproducing multiple basic waveforms. The finest ones can even detect the increase or decrease of air pressure in the room during recordings, so fluctuations in the atmosphere might interfere with the results.)

Ibuki: We still don’t have equipments that support HighRes for home recording, but we have been able to compare the three types of HighRes equipment through analyzing one piece from a CD lent to us by a musician otaku Senpai. I’ve always had doubts as to whether or not human ears could process sounds that can’t be recorded into CDs, so I was extremely shocked when, even while listening to it blindfolded, I could clearly tell the change in atmosphere. When I checked the sound mixes from our usual studio recordings in the control room, it sounded similar to the time I brought the sound generator to my home, which has a different speaker. The CD gives the impression that the sound leaps into surface, and the HighRes gives the impression that what leaps in is one particularly lengthy soundwave. I usually enjoy listening to music with an analog during home recordings since I can feel its depth more than with a CD, but I get concerned about the noise. “RED” is, more than anything, a song made by people obsessed with creating sounds, so please do try it out in HighRes. We want you to listen to an aspect of it that you absolutely can’t hear on YouTube.

──It’s said that the HighRes can reproduce even the “atmosphere” of the recording studio. Your usual tweets cause us to assume that you might have an obsession with the recording equipments and environment, but keeping in mind the viewpoint of those from the sidelines, we’d like you to tell us if any of you have ever thought something along the lines of, “I want people to listen to a sound generator from this angle”.

Shirakami: This time, I played the drums for recording with the image of an American rock band in mind. Their sound gives me the impression of a low center of gravity, gradually-increasing highs and clear vocals. It’s a sound that has long been a personal favorite of mine, and together with these members, engineers and directors, I attempted challeging it through all kinds of trial and error while making this song.

In order to increase the impact of the zone that embeds the unique notes of the guitar and, especially, the bass, taking advantage of the interval in-between the Japanese rock band-like guitar sounds, the individuality of the bass comes to light from the middle part onwards with a low gravity center kick. My position of making the drums take on a moderate, not-too-wet intensity was chosen by one of the engineers. The bass was recorded in a dead room, while the guitar was recorded in a semi-live room.

(T/N: In this context:

“Wet” is jargon that refers to a very thick, deep sound with little to no sustain.

A “dead room” is basically a room designed to be acoustically “dead” ─ as in not produce echoes and be free of ambient noise.

A “live room” is the opposite, designed to be highly reverberant, while a “semi-live room” is a toned-down version of it.)

The playback environment also influences it, but I feel it becomes easier to notice the change of high-end in the HighRes. I think the subtle breaths of the vocals, the tale’s nuance, the reverberation of the cymbals and snares, the mood of the guitar amplifier and the contrast of the opposing tight-kick bass are conveyed more clearly in it.

Regarding the recording equiment, we usually leave them in the care of an engineer that we normally count on, so I don’t know for sure, but the drums were selected from the cymbals to the head of the kick, and several guitar amplifiers and distortion effectors were tested. I’d be happy if people could feel the difference of the main guitar’s sound, the bass’s effective arrangements, and the players’ wills, which don’t depend on the studio.

(T/N: High-end is a class of consumer home audio equipment marketed on the basis of high price or quality, and distortion effectors are devices made to alter the sound of amplified electric musical instruments.)

──Lastly, I’d like to ask about your expectations for the future.

MARiA: “The five of us, overflowing with individuality, want to make interesting and fun things together first and foremost!” is what I thought when forming the band. I think it’d be great if GOUACHE could deliver various worldviews through its melodies, tunes and lyrics! I believe we’ll announce new songs like crazy in the near future and, of course, we want to do a live with all our might, so please look forward to it!!!

──Members of GOUACHE, thank you very much!

#kagerou project #kagepro #kagerou daze #kagerou daze in a day's #gouache #jin #maria #gushimiyagi hideyuki #ibuki fumihiro #shirakami mashirou #my translation

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